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Here I will offer quality, yet affordable, authentic artifacts from throughout the Americas. There are highly stylized stepped pyramids and concentric circles; possibly representing a solar eclipse. The squat, spherical body is beautifully decorated with four spiral designs all carved in high relief. Similar tools have also been found at ancient sites on the Island of La Plata off the coast of Ecuador. Some wear and a couple of tiny chips missing, but it is completely intact and original. The face shows bared teeth and protruding tongue with the eyes and nose enhanced with black bitumen paint. This chocolate-ware 'Belen incised' example has an ovoid form and sits on a footed base. For additional info on this type see pages 92 & 93 of "Seeing with New Eyes" Highlights from the Michael C. Wide stripes containing raised nodes are separated by smooth, burnished bands. The main body is spherical with two narrow vertical slots and is filled with numerous small rattle balls. The burnished surface shows deposits along with minor surface wear as is typical. The form is bulbous at the middle, tapering to a wide spout and sits on a tall footed base. — Peru 200 AD - 500 AD A Recuay standing warrior and llama vessel from the northern highlands of ancient Peru. He wears a loin cloth and elaborate headdress with tasseled flanges and additional complex appliques. 0 — Costa Rica 1100 AD - 1500 AD A nice Nicoya pottery dish with a rare depiction of the "Dancing Monkey Deity". The top of the figures head is open and serves as a pouring spout. — Various Cultures 500 BC - 1500 AD NOTE: Six additional miniatures have been added to this listing. This type is typically referred to as a 'beehive' form, but their exact purpose is unknown. The unusual shape of these small incensarios are thought to represent an ancient pottery kiln or possibly a volcano effigy. Lynn Langdon - collected between the 1940s and early 1960s. Nicely sculpted in the form of a stylized Coatimundi with rounded body and wide, flared opening at the top. 5 — Peru 800 BC - 400 BC An early Chavin grayware terracotta stirrup vessel in the form of a Harpy Eagle. It has a sharply pointed curved beak, pierced eyes and a central ridge of plumage. The hollow vessel depicts a seated female with the right hand up to the side of her face, the left arm is down and shows ritual scarification on the shoulder. 5 — Peru 400 AD - 600 AD An unusual Nazca pottery cup dating to the Proliferous Period. 5 — Ecuador 100 AD - 500 AD Three Jamacoaque roller stamp seals (sellos) from Pre-Columbian Ecuador. 12" long to 16" long each or 0 for all five — West Mexico 400 BC A large Colima phytomorphic vessel dating to the Middle Formative Period.This gallery will be regularly updated so check back often. 0 — West Mexico 300 BC - 300 AD A large Colima olla from ancient West Mexico. The simplistic style is typical of late period Maya pottery. Assembled from eight original pieces with a large section of the bottom and two shards on one side replaced. These 'swirl' patterns are references to water or ocean waves. An angular form with a blunted tip, there is a face carved into the upper portion showing minimalist features of the eyes and mouth. A nice and seldom seen example that displays well on the custom metal stand that is included. He wears elaborate regalia - ear ornaments, a broad collar, knee pads, loin cloth and sandals on the feet. The exterior shows applique facial features and complex incised geometric patterns. The vessel is topped by a gently tapering spout with a collared base and thick rim. It is thought that rattles of this type were worn on the fingers or as pendants and 'played' during ceremonial events or celebrations. One broken shard has been reattached and small losses replaced. A very rare example that depicts a mix of cultural symbolism. The exterior has vibrant polychrome painted decoration in black and orange-red against a cream/white slip. Behnkin via deaccession from the Greenville County Museum of Art in South Carolina. The warrior figure holds a shield in one hand and a club in the other. He also wears several types of jewelry consisting of a nose ring, large ear ornaments and two necklaces; a beaded choker at the neck and a long necklace that drapes over the shoulders and ends with a circular pendant. 7.25" tall x 8" across 0 — Bolivia 400 AD - 700 AD A rare Janus-type pottery bowl from the Omereque culture of Bolivia. The shallow bowl is polychrome painted with red and black on an orange background. The exterior has wide bands of red and smaller black lines circling the outer rim. Assembled from four original pieces and the break lines restored along with some light paint touch ups. Originally acquired in 1972 from Hartwell Kennard of Mc Allen, Texas. 6.5" across 0 — Guatemala 250 AD - 600 AD A huge Maya tripod cylinder vessel dating the the Early Classic Period. The figure is nicely adorned with elaborate ear spools and bracelets. An amazing collection of 21 (twenty-one) Pre-Columbian miniatures. 5 — Mexico 250 AD - 650 AD A Pre-Classic (Phase I) Zapotec miniature vessel from the Monte Alban region of Central Mexico. Could be a honey dipper or possibly a baby feeder, but it also functions as a whiste. Two holes near the rim were used for suspension or to secure a lid. Minor rim chips restored along with some light erosion around the top. The tail on the back is hollow and served as a handle and pouring spout. Coatimundi were called "chic" by the ancient Maya and are similar to the North American raccoon. Also has two raised ear-like tufts on either side of the center crest. She is adorned with ear spools, a beaded necklace and arm bands/bracelets. Rounded bottom and flared sides, nicely polychrome painted in multiple colors. Used in ancient times to apply body paint and decorate woven fabrics, sellos were made as cylindrical roller-types and flat stamp-types. 3" long x 1.75" wide 0 for all three — Ecuador 1000 AD - 1500 AD A fine Manteno figural vessel from Pre-Columbian Ecuador. 0 — Ecuador 500 BC - 500 AD An exceptional Jamacoaque pottery figure of a seated Shaman. All show wear with some cracking and splintering consistent with age. A rare item from a time when shaft tombs were first being developed. Several breaks across the body have been restored, but it is all original and appears near choice.Get help creating prescreening questions, creating job offers, and more.If university managers receive ACA documents on behalf of an employee that ask for plan verification, please forward them to the HR Benefits office on your campus.The burnished surface has light deposits along with minor scrapes and paint loss as would be expected. Well cast in copper with encrusted surfaces and some fabric impressions. Some pitting and erosion present, mainly on the bottom. Assembled from around two dozen original pieces with restored break lines. Some minor surface erosion along with deposits and small areas of light fire clouding. Typical grayware terracotta construction; it shows four front claws and a fifth rear claw on the side, all connected to a vessel with a flared rim. Ica is one of the lesser known ancient Peruvian cultures that lived mainly in coastal areas and were eventually conquered by the Inca. Two small spout chips have been restored along with very minor paint touch-ups. Base, rim and other small losses replaced, but mostly original and complete. See "Teotihuacan, Art from the City of the Gods" pages 240-242 for a similar example and addtional information. He is fully engaged in battle with the Decapitator God who also armed with a tumi knife and is holding a severed head. Both are very heavily cast; thick and heavy with large 'T' flanges. The top section is divided into quadrants each with a central figure. The spout is in the form of a penis with the strap handle attached to the side. One whistle has been returned to working order, the other is non-functioning. The Abrams made their fortune in the publishing business and were avid collectors of fine art and artifacts. Much of their collection was donated to numerous museums. Constructed of reddish earthenware covered overall in a cream slip with red, orange and black painted designs, typical of the type. Approx 4.5" tall x 6.5" across 5 — West Mexico 200 BC - 100 AD A Chinesco seated female figure from the Nayarit region of Western Mexico. The two shown here are incomplete; each is missing a portion of one side. The beaded feather assemblages are repeated along the top of the headdress along with tassels and circular appliques with carved geometric designs. In one hand is a spherical object, likely representing a pottery vessel. 0 — Ecuador 300 BC - 500 AD A Bahia vessel from ancient Ecuador. 0 — El Salvador 400 AD - 700 AD A Maya glyph bowl dating to the Classic Period. Both arms are extended upward in a welcoming gesture. 00 — Peru 900 AD - 1200 AD A Chancay woven textile panel from ancient Peru. The central image is divided by a red band, half in a curving serpent-like design, the other half in a basket-weave pattern. The lower half of the vessel has incised geometric designs known as the 'flame-brow' motif. The flame-brow design originated on Olmec pottery from approximately 1000 years earlier and has also been seen on Maya vessels of eastern Mesoamerica. The surface is an orange buff terracotta with a few areas of fire clouding. A superb example that is larger than most of this type and displays dramatically. The lid which covers the opening is probably not original to the piece, but was acquired from the same collection. The vessel can be displayed without the lid if desired. A personification of God III (G3) from the Palenque Triad. In near choice condition with small rim chips, minor scapes and dings otherwise intact and original. A wide multi-layered necklace with a large pectoral featuring a standing figure. In very good condition with moderate paint loss and deposits, but both are intact and unbroken with no repairs or restoration. A 'fabric' band across the chest and the loincloth at the waist are relief carved with complex geometric designs representing the patterns of woven textiles. A classic example of Chavin pottery with a combination of textured and smooth surface decoration. Made from highly polished black anthracite stone as is typical of this type of mirror. Displays well on the custom metal display stand which is included as shown. 3' (Chapter III) by Seiichi Izumi from Tokyo University for additional info and similar examples from the Shillacoto site in Huanuco, Peru. The interior of the base is unrestored (glued only). 5 — Peru 1100 AD - 1450 AD An unusual Chimu - Inca blackware Achira vessel from ancient Peru. Constructed of tan terracotta with orange pigment on the face and nose ornament. There are light stains (sticker residue) on both sides. Included is a small, but lovely Maya stone celt, also from the Classic Period. Pendant - Approx 6" tall x 3.5" across x .25" thick. Celt - 1.75" long x 1.25" across x 3/8" thick 5 for both — Costa Rica 200 AD - 600 AD Two Costa Rican Axe God celts (pendants) from the Guanacaste/Nicoya region. It depicts an anthropomorphic figure with hands across the chest. Just under 9" across x 3" tall 0 — Costa Rica 1200 AD - 1500 AD Large Costa Rican "Castillo Incised" blackware tripod rattle vessel dating to the Late Period. 0 — Costa Rica 400 AD - 700 AD Very large Costa Rican tripod rattle vessel from the Central Highlands - Atlantic Watershed Zone, dating to Period IV-V.Overall an exceptionally large and extensively adorned figure that displays dramatically. The two larger examples are Chimu (possibly Moche). Although restored, it appears near choice and displays well on the custom metal display stand (included). A fine example and a rare type that is substantial in size. In good condition with one claw partially restored and another reattached. The vessel sits on a low base and is topped by an arching stirrup handle with slightly flared spout, indicative of Phase III. 5 — Peru 900 BC - 200 BC A large Chavin bottle (vessel) from the northern highlands of ancient Peru, dating to the Formative Period. The blades flare at the end to crescent shape and a sharp edge. Two human figures with arms held upward and wearing crescent shaped 'solar' headdresses along with two monkeys (or felines) shown in profile also wearing solar headdresses. At the base of the handle are two ball-shaped objects (appearing as testicles) which form the whistles. A crack in the main body has been stabilized and restored. Minor scrapes and dings present along with deposits and some fire clouding. The remainder was later sold through various art auctions in NYC. A flared bowl sits atop three large jaguar heads, each containing their original rattle balls. The figure is of hollow construction with red, tan and black painted and burnished surface. 0 — Peru 400 AD - 600 AD A large and impressive Moche Phase IV portrait vessel from the Northern Coastal region of ancient Peru. 50 — Costa Rica - Panama 1100 AD - 1450 AD An unusual pottery vessel in the form of an armadillo. 5 — Peru 1000 AD - 1400 AD A Chancay painted bowl from ancient Peru. Outside of the obvious losses, they are intact with nice deposits. The face and hands are painted in yellow-gold pigment, otherwise covered in a cream-tan slip with deposits and some root marks present. Assembled from original pieces (as is common) with break lines restored and minor losses replaced. In the other hand is a five-lobed ceremonial rattle. 0 — Peru 700 AD - 1000 AD A rare Wari aryballo (water transport vessel) from ancient Peru. The vessel is rounded with a flat bottom and has a flared spout. Rounded bottom with corseted sides; an elegant form. He (she) smiles widely exposing filed teeth and has almond shaped eyes. It depicts a central band of stylized birds with rows of waves (water motif) at the top and bottom. The gently curving sides of the bowl are finely painted in diagonal stripes. The back is completely painted with parallel lines in black on tan. Assembled from approximately six original pieces with breaklines partially restored and slightly visible. The cream colored surface is nicely burnished inside and out with areas of orange and black (fire clouding) on one side. Assembled from three original pieces with breaks restored. Minor surface wear, dings and scratches along with light deposits consistent with age. The surface shows considerable root marks and moderate to heavy deposits. An entity that represents the underworld sun or 'The Sun of the Region of the Dead'. 00 — Costa Rica Two Costa Rican tripod vessels from the Diquis region, circa 300 AD - 700 AD. The legs are decorated with stylized zoomorphic figures. Buff terracotta construction with orange and tan paint. Acquired from an estate collection, an old inventory number (3465) is written in ink on the back of one foot. The head and both arms have been reattached with breaklines restored and the open hand has been replaced, otherwise intact and original. There is stippling overall with a smooth vertical band deeply incised with abstract geometric patterns. Rectangular shape with rounded corners and still retains a nice reflective surface. A piece of one corner appears to have been reattached, but it is all original with some scrapes, minor edge chipping and light wear from age and usage as would be expected. Despite having considerable repairs and restoration, it displays well on the custom metal stand which is included as shown. Achira is a tuber-type plant that is high in starch. The stomach protrudes slightly, possibly indicating pregnancy. Faint traces of other colors remaining in some areas. Carved from green speckled stone with earthen deposits. The headdress is two alligator heads facing outward. Restoration to the corner of the head and one foot. The exterior is nicely incised with complex geometric patterns. It has pierced tapered tripod legs, each containing numerous small rattle balls.
Bichrome painted with intricate patterns in shades of cream against a deep orange-red ground. See Hasso Von Winning's "Shaft Tomb Figures of West Mexico" page 149, fig. All are in fine, intact condition and display nicely on custom metal stands that are included. This chocolate-ware 'Guinea incised' example has a bowl sitting on pierced tripod legs. Minor slip loss and surface imperfections present along with light deposits. The main body shows linear, angular and stepped pyramid designs. Intricately painted with undulating linear designs on the upper half and a star design below the spout. His face shows a wide smile and he has one fist raised in a triumphant gesture. A barrel-form vessel with cylindrical body topped by loop handles and flared spout. The arms and legs are diminutive; one hand is holding a long tendril that extends up one side and past the rim. The scene on both sides of the vessel depict the Moche Protector God (Ai Apaec) in combat with the underworld Decapitator God. There are three sizes here, possibly representing different monetary denominations. The surface is also slightly clouded by a salt-lime haze which could be cleaned, but is currently in original, as found condition. The stirrup handle is slightly flattened (squared) on the sides and is topped by a straight spout. These ancient musical instruments are constructed with a row of hollow tubes of different lengths that produce a variety of notes. Small in size (very rare) possibly made for a child. In the center is an idealized Teotihuacan-style face wearing circular ear flares and a large nose ornament. Beautifully painted in dark brown-black against a cream ground. Small losses restored on the spout and light paint enhancements, otherwise intact and original. A fine example that displays well on the custom metal stand which is included. A depiction of a Lord or Shaman, certainly a person of importance or high social status. The upper bowl has corseted sides and is decorated with rows of applied and incised designs, topped by a widely flared rim. The larger olla (3.25" tall) has stylized zoomorphic designs. Some surface pitting, mostly around the spouts and handle. Ample mineral and earthen deposits are present overall. The upper part of the spout has been restored, otherwise it is intact and original. All carved from hard-stone of various types and colors. Several show moderate to heavy edge chipping and losses. Each has light to moderate deposits consistent with age. All are in very good condition; intact with some minor surface wear and light deposits. It is substantial in size and displays dramatically. The vessel is rounded in form and has two large, realistically sculpted, saurian-type creatures decorating either side of the top opening. 00 — Mexico 450 AD - 750 AD A rare and exceptional Maya plate from Chipas, Mexico. Typical of the type, all have bulbous bodies, low footed bases and sculpted relief faces. He is seen here flanked by two prone figures representing his descendants; known as the "children of Naymlap". The rounded olla has a flared spout and a head emerging from the side that appears to be a stingray or possibly a stylized human face. Well made and thin walled examples of buff (unpainted) terracotta "bisque ware" pottery, typical of that region. All have minor restoration, mostly rim chips and small cracks restored, but are generally intact and original. Each is on a custom metal tripod stand and display beautifully as a group. His clothing is decorated with incised designs and raised concentric circles. 0 — El Salvador 900 AD - 1200 AD Two Post Classic Lenca vessels from El Salvador. A flared pedestal base carved with open-work designs supports the upper bowl. Heavily weathered surface overall with moderate deposits and only traces of painted decoration visible. The figure is beautifully sculpted and has an expressive face; smiling widely with exposed teeth and almond shaped eyes. — Peru 1200 BC - 1000 BC A superb, early Chavin (most likely Pre-Chavin) stone mirror. The finely detailed figure is shown wearing elaborate regalia, large crescent headdress, ear spools with long tassels, tunic and loin cloth. Some light paint enhancements, otherwise all original and completely intact. Although moderately restored, it is a lovely example. As is often seen in Cocle art, these stylized creatures combine serpent, bird and other elements. It enabled them to induce shamanic trances and visions. Carlos Museum at Emory Universtiy, Atlanta, Georgia. 12" tall on stand 50 — Guatemala - Honduras 600 AD - 900 AD Very large Maya stone pendant dating to the Classic Period. Restoration to a small area of the lower corner, else intact. 3.5" tall on stand - Celt 2 (right) - Carved from green stone with earthen deposits and light surface staining. Both have a heavily oxidized surface as would be expected. The burnished blackware surface shows light mineral and earthen deposits.
5 — Panama 800 AD - 1000 AD A lovely Cocle polychrome plate from ancient Panama. 50 — Peru 1150 AD - 1500 AD A fine pottery 'portrait' vessel of a llama. Nicely painted in shades of red and black against a vibrant orange background, typical of the type. The figure, certainly someone of great importance, is flanked on each side by two birds in flight. The birds are carrying objects; possibly items being given as offerings to the central figure.
0 — Honduras 600 AD - 900 AD A lovely Maya copador bowl dating to the late Classic Period. On the front is a standing figure, depicting a shaman or lord wearing a wide crescent shaped solar headdress.
— West Mexico 300 BC - 300 AD A very large and beautifully painted warrior figure from Nayarit, West Mexico. Applique embellishments are typical of pottery of this region and period. There is a five inch long (stable) crack on one side, otherwise completely intact and original with no repairs or restoration. The ovoid body is more bird-like with painted designs appearing as feathers. Both arms and legs reattached with restored break lines. The circular designs represent the spots of a jaguar and are a rare feature on Paracas vessels. Assembled from original pieces; twelve (12) large shards and several smaller pieces with restored break lines. The arms are shown to the sides and the legs are tucked underneath in a kneeling position. 5 — Peru 500 AD - 800 AD A rare Wari (Huari) vessel from the Ayacucho region, South-Central Andes of ancient Peru. An elaborately sculpted depiction of the Teotihuacan 'Storm God' deity or Water God, also known as Tlaloc by numerous other cultures. Light deposits overall and a has an old collection label on the underside. In fair to good condition with one hand and several headdress ornaments replaced, a break at the waist has been restored along with minor paint enhancements. This type of ancient 'money' was used in the trading (and purchasing) of merchandise by the Inca. Each has a large nose and impressed eyes and mouth. The seated figure has an area of fire clouding on the back and a restored hand. Both are from the same estate collection; they were likely found together and appear to have been made by the same artist. The eyes and nose are sculpted in high relief with pierced nostrils and slit mouth. 0 — Peru 1100 AD - 1350 AD A lovely Chimu stirrup vessel from ancient Peru. Antara 2 (right) - A five-note flute with burnished redware surface and mineral deposits. The head, open at the top, shows a pointed snout, pierced button eyes and antlers with 3 points on each side. The surface is quite eroded with little slip remaining, rough gritty texture with some fire clouding and tan slip present. All have some red pigment and two have white pigment remaining. One has a chipped foot, otherwise they are intact and original, no restoration. The surface is heavily oxidized with a vibrant green patina. A few cracks and minor surface losses to the rear post, otherwise near choice. Displays nicely on the custom metal stand which is included. The surface is burnished blackware and has considerable deposits and mineralization. The lower chamber has a few restored breaks, otherwise it is intact and original. The lower section is a footed basin which held the burning copal incense, meant to appease the Gods. An unusual shape with round sides and flat on the front and back. 0 — Peru 500 AD - 750 AD A large Moche vessel from the northern coastal region of Peru. 0 — Panama 600 AD - 800 AD Two small Cocle pottery ollas (seed jars) from ancient Panama. Polychrome painted in reddish-brown (sienna), black and cream with a nicely burnished surface. 5" tall x 3.5" across 0 — Peru 1250 AD - 1450 AD A late Chimu, early Inca (Inka) blackware erotic vessel depicting a pair of copulating monkeys. Each depicts a squatting figure sitting atop a pedestal base. Beautifully painted in a variety of vibrant colors. Two shards reattached at the rim with restored break lines and some light paint touch ups. 0 — Ecuador 300 AD - 600 AD A gigantic Jama Coaque pottery olla dating to their Late Cutural Horizon. Shows ample manganese and mineral deposits overall, heavy in some areas. The outer edge of the spout rim has been restored in several places, otherwise completely intact and original. The foxes appear to be playfully chasing one another toward the center. The figure wears a turban type headwrap and is shown playing a four-note antara (panflute). A single restored break just below the mouthpiece, otherwise intact and original. In exceptional condition for a vessel of this size. There is one smaller hairline crack and several rim chips, otherwise completely and remarkably intact. An amazing example and rarely seen in this monumental size. Polychrome painted in white and black against red and orange. The beak is partially restorted and two small rim chips restored with minor paint touch ups, but generally intact and original. The openwork construction could indicate it was used as an incensario topper (chimney). Some minor paint touch ups but appears intact and displays well. Repeating step motifs were used in the decoration of Andean ceramics as far back as the Cupisnique period and are interpreted as stylized representations of mountains, temples, or thrones. Assembled from approximately ten original pieces with break lines restored, but appears intact and displays well. Both are of similar construction; buff terracotta partially covered with red burnished slip. The larger has some rim repairs and two legs reattached with restored breaks. Both sides are boldly painted with stylized birds in flight; executed in dark purple, black and cream against an orange background. Some surface pitting has been filled and moderate paint touch ups on the exterior. "Lord Naymlap" is the mythological founder of the pre-Chimu dynasty of the Sican-Lambayeque culture of Northern Peru. The raised platform and elaborate adornments indicates this individual is of high ranking social status. 5 — Mexico 600 AD - 900 AD A large hollow-molded Sonriente figure from the Gulf Coast, Vera Cruz (Remojadas) region of Mexico. A wide central band of incised geometric designs decorate the exterior. This type of vessel, typically called a 'frutera', has a flared pedestal base topped by a deep bowl painted with complex geometric and zoomorphic designs. Shows some light surface wear as would be expected. In one hand he holds a lime dipper (spatula) also having a human face; in the other he holds a lidded "poporo" (lime pot). Most have deposits, a few are chipped, some with red cinnabar, but generally intact and near choice. Unlike the large wooden slit drums that served as musical instruments, these rare hand-held pottery types were used ritually by shaman to induce and maintain states of trance and give them the ability to change form and move between worlds. Considerable deposits and some fire clouding, mainly on the back. Redware surface, lightly burnished with deposits and minor staining as would be expected. Excellent condition, one tiny rim chip, else intact and choice.
He sits with legs slightly bent and there is a third tripod support leg at the back. A sizable example that displays dramatically on the metal tripod ring stand which is included. It stands on four cylindrical feet and has a long banded tail that curves upward. Minor pitting, surface wear, scrapes and dings, light paint loss along with surface deposits. The loin cloth and some feather tips are partially restored along with other minor losses. Museum deaccession with inventory code written in gold ink on the bottom. At the lower back is a painted face surrounded by grid patterns, likely representing netting. Michael Cichon - "Cichon Tribal Arts" of Sarasota, Florida. For a similar example and info see page 187, photo 56 of "Between Continents-Between Seas: Precolumbian Art of Costa Rica". A cylindrical barrel (or canteen) form vessel, likely representing a drum. 5 — West Mexico 200 BC - 200 AD An extra large Michoacan olla dating to the Late Formative Period of ancient West Mexico. 0 — Peru 400 AD - 750 AD A Moche erotic vessel from the North Coast region of ancient Peru. Vessels like this are seen in painted murals being used in 'pouring rituals' relating to water worship. — Peru 250 AD - 450 AD A fine Moche bi-chrome stirrup vessel dating to Phase III. Ample deposits, and light surface wear present overall. Much like the copper hoe-money (tajaderas) that was used by the Aztecs of Mexico. They wear arm bands, elaborate (tassel-like) ear assemblages and head wraps. The standing figure has a restored hand and partially restored foot. An exceptionally rare, very closely matching pair of ancient figures. The orangeware vessel is painted overall in black and reds with complex geometric designs of linear and angular patterns. One eye is chipped otherwise completely intact with no cracks, breaks or repairs. Orange-tan pottery construction with nicely burnished surface. Approx 4.75" across & 5.75" across 5 each or 0 for both. A single restored break across the middle, else intact. Antlers on one side are partially restored, otherwise intact. Areas of mineralization and encrustation also present. An exceptional example and larger than most of this type. The basin is decorated with pointed spikes that represent the trunk of a young Ceiba tree; a sacred tree of the Maya. Matching museum inventory codes are written on each piece. Both flat panels are painted in vertical lines and waves (water motif). The lower spout has opposing loop handles that connect to the upper shoulder of the canteen. Constructed of redware terracotta with cream painted details. Of the Conti style with red and black linear decoration on an orange-tan ground. The upper body of the vessel is dome-shaped and decorated with six realistically rendered chili peppers. The monkeys are realistically sculpted and nicely detailed. Shown with hands on the knees and pierced button eyes. Divided into four panels, each decorated with a stylized bird motif along with other geometric designs. Moderate surface erosion, mostly on the bottom and along the interior rim. The Jamacoaque culture centered around the Manaba Province along the Pacific coast of ancient Ecuador. Vessel #1, Left - Tapered and stepped body with a large head and pierced nose. Repaired breaks around the neck and head, with minor losses replaced on the head. The handle is a tapered cone that is thought to represent a horn. Assembled from numerous original pieces with restored break lines and paint touch ups. An attractive example with light to moderate mineral deposits overall. Some light surface wear, minor scrapes and dings, all consistent with age. Light paint loss, surface wear and deposits present. Each has a rounded bowl, loop handles and tripod legs decorated with incised appliques. The smaller tripod is intact with light erosion and paint loss. The interior shows medium to heavy deposits and some light pitting (spalling) mostly near the bottom. He is identified as having a human face with slanted eyes and tattoos. Almost certainly he is of a person of great importance; a shaman or of the ruling elite. As is typical for this type, it depicts a standing youth with a gleeful expression. 0 — Peru 700 AD - 1500 AD A gorgeous Lambayeque whistle vessel from ancient Peru. The chocolate brown surface is nicely burnished inside and out. Assembled from around a dozen original pieces with breaks restored and some losses replaced. A rare example, the interior (tonto) is divided into three segments. The lime pot and dipper would have been used for the ingestion of Coca or other hallucinogenic substances. They reflect the belief that shamans used such instruments to travel to other realms of reality. Once covered in a red slip, most of the slip has eroded away to expose bare clay. Displays well on custom metal stand which is included as shown. A large example with an elegant form that displays beautifully. 2" across 5 each or 0 for both — Mexico 500 BC - 100 BC A lovely Chupicuaro blackware vessel.Note: For the best experience with the electronic form, use Chrome as your browser.